Television: Friend or Foe?

Saturday, September 25, 2004

Television

Television, as a medium, can broadcast pictures and images, sounds and music, and even text. It is capable of delivering information nearly instantaneously to millions of homes worldwide. With the increasing presense of satelite television, which cable networks have scrambled to keep up with, we are seeing more VARIETY in the programming including foreign and foreign language programs and channels, more independent programming like Sundance and IFC (the Independent Film Channel), Free Speech Television (an independent news and information channel), world-wide sporting events, and programming that comes directly from college campuses.

Public Access

Public Access television is a means of going around the large, FOR-PROFIT structure of most networks, which acts as a homogenizing force that focuses most programming towards a key selling demographic (McChesney). But Public Access television is dependent on government funding and donations meaning that the stations, like the one in Longview, are underfunded, understaffed, and difficult to get any work done in. Despite these obstacles, P.A. stations can be a means of distributing minority and under-represented voices within a community.

Satire in the Air

News, information, social satire: Saturday Night Live and The Daily Show lampoon current events. Shows like The Simpsons, Futurama, and South Park (love it or hate it), give interesting and often valid looks at current social issues that are rarely confronted head-on in non-fiction forums. South Park in particular will take on issues as varied and hard-hitting as: Hate crimes, sexual molestation, illiteracy, and corporate control of children’s programming.

South Park

The Brown Noise

(One of my favorite episodes has one of the main characters confronting his father about the LACK of sexual abuse he suffered as a child, "Why? Wasn’t I good enough for you!?" Another character on the show explains that, having watched so many talk shows about people molesting there children, the other character has come to think of that as a normal way of showing affection.) The creators of South Park, and other satirical programs of this type, turn around the expectations of the watcher and attack difficult social issues.

Television as a Social Medium

Beyond home entertainment, education and distribution of information, television can increase social activity as well: Super-bowl parties, discussions of television episodes at school or work (My wife works at an optical clinic where most of the staff are fans of E.R. She told me that she and one of the doctors actually discussed the television show at work, a few days ago.), and especially FAN CULTURE extend the effects of television into the social world.

Television Fandom

A Google search for "television fan site" finds about 3,060,000 sites. Television programs with fan sites cover the entire spectrum of TV's history. From The Ed Sullivan Show, to Buffy the Vampire Slayer, to the short lived early 80s cartoon Gilligan's Planet all have fan sites.

The Ed Sullivan Show

Slayer's Empire

Gilligan's Planet


Here's a fan site for the Survivor TV series:

SurvivorFire: Over 7,860 members. Refers to itself as a "community."
http://www.survivorfire.com

Simpson Crazy

Fan site for The Simpsons

http://www.simpsoncrazy.com/

Star Trek

Google search finds about 3,590,000 sites for Star Trek


Trek Nation: Has "more than 5,000 members posting hundreds of topics per day in...20 forums...":

Trek Nation

Conventions

http://www.creationent.com/calendar_frame.htm

Fan culture moves television viewers away from their sets and out into the "REAL" world.

The WRAP-UP

Television can give people information (news, traffic or weather reports...), assist with education, and it can entertain. But, it also give people something to talk about, a common point of interest, that can promote conversation and socializing. Whether just discussing a program around the water-cooler at work or dressing as a particular character and cramming yourself into a colliseum with thousands of other fans, television fandom is an exciting phenomenon. TV might not always live up to it’s potential, but what programs we do have can be a unifying and socializing force and give people a common forum around which they can gather and be friendly.

Saturday, September 18, 2004

"Studying Television"

The readings that I have included give a variety of different "takes" on how television has impacted society. I love this segment because it is a great overview of the research that has been done on the effects of television on society. The author, Conrad Kottak, is a professor of anthropology at University of Michigan, (or was when the book was published.) His book is a study of the viewing habits of Americans as compared to those of television watchers in Brazil.


Kottak, Conrad Phillip. PRIME-TIME SOCIETY: AN ANTHROPOLOGICAL ANALYSIS OF TELEVISION AND CULTURE. Belmont, CA: Wadsorth Publishing Company, 1990. Pg 10.

"Many researchers have commented on television’s impact on contemporary society. Comstock and colleagues (1978) see television as a major socializing agent competing with family, school, peers, community, and church. Gerbner (1967) likens television to a new religion, cultivating a homogeneous outlook on social reality, uniting the population exposed to it in a common set of images and symbols. Hirsch (1979) underscores television’s role in focusing attention on national events. Lazarsfeld and Merton (1971) label television "narcoticizing." They fault it for diverting attention from serious issues and for replacing effective thought and action with passive absorption in portrayals. Some researchers have argued that television reinforces the existing hierarchy and impedes social reform by portraying so many wealthy and powerful people (Gerbner and Gross 1976a, 1976b). Television executives have become "key gatekeepers," regulating public access to information (Saldich 1979:22). Historically, political and religious leaders have played this role. Television also contributes to consumerism. It stimulates participation in a worldwide cash economy (Hujanen 1976). Television sets agendas, directing our attention toward some things and away from others (Gerbner and Gross 1976a; Hood 1987:10-15). Although television may not tell us what to think, it is very successful in telling us what to think about (Comstock et al. 1978).
TV’s worldwide spread has raised concerns about cultural imperialism. For example, French Minister of Culture Jack Lang has lamented the extent to which American programs (purportedly) dominate the airwaves in many countries. He has decried an "intellectual imperialism" that "grabs consciousness, ways of thinking, ways of living" (Gutis 1987). Many political and cultural leaders react similarly, although others see television’s global role more positively. Ignatieff, for example, calls television "the privileged medium through which moral relations between strangers are mediated in the modern world" (Bernikow 1986). It promotes
'the breakdown of the barriers of citizenship, religion, race, and geography that once divided our moral space...Television has become the instrument of a new kind of politics, one that takes the world rather than the nation as its political space, and that takes the human species itself rather than specific citizenship or racial, religious, or ethnic groups as its object.' (Bernikow 1986:6)"


In you own life, has television exposed you to ideas, cultures, or beliefs that you would never have encountered in any other medium? Do you feel that television influences what you think about? Do you believe that society shapes the programming on television or is it the networks, programmers, and producers that decide what society will find important and interesting?

"An Outsider's View of American Culture"

This reading comes from a very cool book called DISTANT MIRRORS: AMERICA AS A FOREIGN CULTURE. Janusz Mucha is a sociology professor at Nicolaus Copernicus University in Poland. This small segment of his essay deals with what he sees as the limitations of American media, particularly television.


Mucha, Janusz L. "An Outsider’s View of American Culture." DISTANT MIRRORS: AMERICA AS A FOREIGN CULTURE. Belmont, CA: Wadsworth Publishing Company, 1998. Pg 47.

"...A third reason why the American is generally more ethnocentric than the average European is the nature of mass media. Reading American dailies (with perhaps the exception of the New York Times, Chicago Tribune, Washington Post, USA Today, and a few others), we get an impression that the entire world consists of some extension of the United States. [...]
American television does not help much. "Headline News" and "CNN" provide information about the rest of the world on a regular basis, but the major networks do not, unless, as we discover in the print media, there is news of sensational nature. Local television stations inform mostly on local crimes or local economic and political happenings, such as the daily whereabouts of the president or governor. For local television, the world is further restricted, ending at the borders of the country."


My two biggest questions when reading this segment are: Do local television stations NEED to cover national and world news when we have CNN and other major stations that will cover these stories (including BBC News on some satelite systems) but NO OTHER SOURCES for local news but these local stations? And; Is it the responsibility of the mass media to educate us about and inform us of the goings on in other countries?

"Media Now: The Simpson Trial"

This segment is from the book VIRTUOUS REALITY by Jon Katz. Katz is a media critic, novelist, and is the editor of WIRED magazine (or was when the book was published, anyway.) His book is not focused exclusively on television, but I've included this reading because the Simpson trial was one of the biggest media events of the last decade and most of us probably watched the events on TV.


Katz, Jon. "Media Now: The Simpson Trial." VIRTUOUS REALITY. New York: Random House, 1997. Pg 129-131.

"Information wants to be free, the Internet slogan goes. By the same token, media want to tell the truth. That neither force gets what it wants much of the time is one of the great ironic dramas of the information revolution.
But if you watch those screens and read enough, carefully enough, for long enough, the truth unfailingly struggles to break through, often in indirect and surprising ways.
In the O. J. Simpson trial, the truth revealed was this: The country and some of its most important institutions have become mired in a mean-spirited stand-off between factions whose primary characteristic is self-righteous obstinancy. Our open spaces---courts, workplaces, Congress, academe---are no longer meeting places but are battlegrounds on which the most pressing struggles never get resolved. We are no longer one nation, if we ever were; we are a landmass peopled by many bitterly divided tribes. Wherever we come together to thrash out common values, laws and understandings, we can’t.
And the institution most responsible for spotting this big story and helping us to come to terms with it doesn’t do its job. The power of modern media is a great hoax, exposed by Orenthal James Simpson and the spectacle he provoked in Los Angeles in 1995.
If this was one of our most interesting stories ever, it was also one of our most brutal. The trial brought to mainstream America overpowering evidence of this new reality: The notion of one nation united by common views of attainable equality, justice and individual freedom is a myth. Day after day, some of our most cherished social beliefs were chipped away, witness by witness. The police didn’t stand for justice, which is clearly not the least bit blind; the lawyers didn’t represent the law; the jury couldn’t promise unbiased judgement; the judge didn’t ensure order and journalism didn’t supply the truth.
Our society had no mechanism to try O. J. Simpson rationally in those circumstances at that time. It can’t deal with paralyzing social tension; it seeks to curb technology it can’t control; it virtually guarantees that informed, fair-minded people be barred from the jury system.
No institution in this spectacle seemed more bankrupt than the media themselves. Technology allowed them to bring us the words and pictures more quickly and clearly than ever, but they lost the will to explain what those images meant. The media don’t help us to talk to or comprehend one another; they simply encourage us to state our differences ever more stridently. The people working for them are not prepared or permitted to acknowledge the way the enormous social, ethnic and political changes transforming our culture permeated the story unfolding in front of them.
On the scary road to Simpsonville, some of our most central institutions seemed nearly overwhelmed."


Should the media have to "explain what those images meant?" Where do people go for explanations of media events, the Simpson trial, the 9/11 terrorist attacks, the continuing war in Iraq, if the do NOT get them from the broadcasts themselves? Would a network that attempted to explain what it's stories meant be overstepping its bounds?